Massey's Cross Lets the Amps Breathe on 'Never Odd or Even'. Calgary duo Mark Templeton and Geoff Pascoe lean into open tunings, dusty wood, and dry Canadian prairie air.
@telnhq.bsky.social
@telnhq.bsky.socialMassey's Cross Lets the Amps Breathe on 'Never Odd or Even'. Calgary duo Mark Templeton and Geoff Pascoe lean into open tunings, dusty wood, and dry Canadian prairie air.
@telnhq.bsky.socialJody Parsons Cuts the Noise on 'Searching in Space'. Tired of metal stages, the Canadian multi-instrumentalist heads into late-night cockpit solitude with reversed tape and live strings. 🎧
#IndieMusic #NewMusic #40MAG #FreeSubmission #MusicReview #MusicSky
@telnhq.bsky.socialMETAPHYSICAL Calls It Like He Sees It on 'It's Rough In Life'. Five years stuck unhoused around Skid Row condensed into a 75 BPM loop and cold, matter-of-fact verses. 🎧
#IndieMusic #NewMusic #40MAG #FreeSubmission #MusicReview #MusicSky
@telnhq.bsky.socialThe Groovy Times Drop Pure Fretboard Chaos on 'They Shoot Movies, Don't They?'. East Hollywood slap bass, wild horn hits, and unfiltered guitar shred rolled into one noisy cartoon jam. 🎧
www.spinlog.de/post/the-gro...
#IndieMusic #NewMusic #SpinlogMAG #FreeSubmission #MusicReview #MusicSky
@telnhq.bsky.socialJamin Lee Kunkel Strips Things to the Wood on 'We Can Shine Like the Moon'. New Jersey solo act trades heavy production for a bare-bones bedroom psych drift.
@telnhq.bsky.socialCuva Bimö turn middle-school shame and social feeds into raw noise on '800 Meter Tears'. Scuffed San Jose tape, angular guitar brawls, and zero patience for modern rot.
www.spinlog.de/post/cuva-bi...
#IndieMusic #NewMusic #SpinlogMAG #FreeSubmission #MusicReview
@telnhq.bsky.socialZRVANI Leans into Murky Melodrama on 'two vampires'. UAE solo act cuts a sluggish, reverb-heavy slice of dark bedroom romance.
@telnhq.bsky.socialJersey Mal Keeps It Grimy on 'Stay Solid'. Backed by Trackpros production and hook work from Messon Jayb, the US spitter talks prison bids and loyalty without blinking.
@telnhq.bsky.socialKony Cuts Straight to the Bone on 'Lonely, Lonely Girl'. Lebanese solo act Antony El Chaptini turns fresh breakup wreckage into a scuzzy, self-tracked rock debut.
@telnhq.bsky.socialKAMI BLACK Takes YouTube Production to the Woodshed on 'TYPE BEAT TYPE SHIT'. Underground veteran turns internet leftovers into a lean, horror-fueled rap track.
@telnhq.bsky.socialNarcohypnotic Drags Trip Hop Through Dirt on 'Paralytic Debris'. Ottawa solo project trades pristine electronic textures for crushing sludge guitars and pitch-black atmosphere.
@telnhq.bsky.socialBeyond Follower Counts (Part 2): The Setup, The Delivery, and Fact-Checking the First Placements. We are tracking a live 4-week SEO playlist campaign for an independent artist.
www.spinlog.de/post/Moonstr...
#IndieMusic #NewMusic #SpinlogMAG #FreeSubmission #MusicReview
@telnhq.bsky.socialAMISHAR slams dark melodic weight into a 170 BPM tear on 'hold me close'. Murky sub-bass, snapped breakbeats, and late-night claustrophobia out of India.
www.spinlog.de/post/amishar...
#IndieMusic #NewMusic #SpinlogMAG #FreeSubmission #MusicReview
@telnhq.bsky.socialPaul Delamour Strips Breakup Tropes on 'she is my favorite girl'. Tracked in a 13-square-meter room in Abidjan, the cut pairs acoustic folk roots with Mellotron tape haze and a fading synth coda.
@telnhq.bsky.socialNo Kings Allowed smash their own foundations on 'Dethroned (Reimagined)'. 205 BPM drum battering, gutter shrieks, and zero-bullshit pit weight out of the Lowlands.
www.spinlog.de/post/no-king...
#IndieMusic #NewMusic #SpinlogMAG #FreeSubmission #MusicReview
@telnhq.bsky.socialAstral Gaze Cut Raw Djent Riffs on 'Rescue Me'. Tracked and mixed inside a Dubai home setup, the duo puts down-tuned rhythm work against wide shoegaze space and an unpolished chorus.
@telnhq.bsky.socialOne Lovers Untangles Late-Night Friction on 'Ordinary People'. A dusty, unhurried abstract hip-hop cut built around quiet overthinking and guest vocals from Penelope.
www.spinlog.de/post/one-lov...
#IndieMusic #NewMusic #SpinlogMAG #FreeSubmission #MusicReview
@telnhq.bsky.socialWE ARE MILK Cuts Through the Dark on 'MONOCHROME'. Splitting their time between Los Angeles and Paris, WE ARE MILK drops a moody, fuzz-soaked cut that pulls 90s grunge straight into foggy psych territory.
@telnhq.bsky.socialDavid van der Ploeg Breaks Years of Hesitation on Debut Single 'The Day Before'. Dutch songwriter David van der Ploeg tracks his first cut live with a vocal mic, loose lyric sheets, and his guitar teacher backing the rhythm.
@telnhq.bsky.socialVitanota Lets Drum Takes Breathe Across Seven-Minute Deep House Cut 'Babushka'. Moroccan producer Vitanota takes his time on 'Babushka', locking acoustic percussion into a loose, unquantized organic house groove.