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@simeonberry.bsky.socialSep 8, 2026, 6:53 PM

(39/61) “I paid off the debt with a stone that I knew to be worthless.” —Isabelle Baafi, “One side of a conversation with the bailiff at my door” (Chaotic Good) @weslpress.bsky.social #61WomenPoets #WOC #61Books61Days #TheSealeyChallenge #SeptWomenPoets

The cover of Isabelle Baafi’s Chaotic Good: an abstract painting of a red figure stepping out of a lavender ring with other small black-and-white figures still inside it, into a blue, aquatic landscape bordered by reaching red hands.
@simeonberry.bsky.socialSep 7, 2026, 6:04 PM

(38/61) “whose smile never swam inside / an ultrasound hum the throat swallowed / before it became breath” —Jasminne Mendez, “Inheritance” (City Without Altar) @noemipress.bsky.social #61WomenPoets #WOC #61Books61Days #TheSealeyChallenge #SeptWomenPoets

The cover of Jasminne Mendez’s City Without Altar: a photograph of two crooked hands inside panty hose grasping white flower blossoms
@simeonberry.bsky.socialSep 6, 2026, 4:41 PM

(37/61) “to swallow / bruise / that begins / in dark blue” — @omotarajames.bsky.social, “Exhibition of the Queered Woman” (Song of My Softening) Alice James Books #61WomenPoets #WOC #61Books61Days #TheSealeyChallenge #SeptWomenPoets

The cover of Omotara James’ Song of My Softening: a photograph of a topless Black woman with braids wearing a gold skirt with her back turned and her arms raised, against a green background
@simeonberry.bsky.socialSep 5, 2026, 7:16 PM

(36/61) “Dead children become sediment, a red moon / hovers over a river. From a telephone pole, / a barn owl watches the house.” —Thea Matthews, “At Gramma’s House” (GRIME) @citylightsbooks.bsky.social #61WomenPoets #WOC #61Books61Days #TheSealeyChallenge #SeptWomenPoets