Narcohypnotic Drags Trip Hop Through Dirt on 'Paralytic Debris'. Ottawa solo project trades pristine electronic textures for crushing sludge guitars and pitch-black atmosphere.
@telnhq.bsky.social
@telnhq.bsky.socialNarcohypnotic Drags Trip Hop Through Dirt on 'Paralytic Debris'. Ottawa solo project trades pristine electronic textures for crushing sludge guitars and pitch-black atmosphere.
@telnhq.bsky.socialPaul Delamour Strips Breakup Tropes on 'she is my favorite girl'. Tracked in a 13-square-meter room in Abidjan, the cut pairs acoustic folk roots with Mellotron tape haze and a fading synth coda.
@telnhq.bsky.socialAstral Gaze Cut Raw Djent Riffs on 'Rescue Me'. Tracked and mixed inside a Dubai home setup, the duo puts down-tuned rhythm work against wide shoegaze space and an unpolished chorus.
@telnhq.bsky.socialJol Monteiro Wrestles With Church Guilt on Slow-Burning Cut 'everything everything'. South Florida songwriter Jol Monteiro tracks a dragging 63 BPM crawl, letting church imagery and raw room tone pile up until the guitars...
@telnhq.bsky.socialDavid van der Ploeg Breaks Years of Hesitation on Debut Single 'The Day Before'. Dutch songwriter David van der Ploeg tracks his first cut live with a vocal mic, loose lyric sheets, and his guitar teacher backing the rhythm.
@telnhq.bsky.socialVitanota Lets Drum Takes Breathe Across Seven-Minute Deep House Cut 'Babushka'. Moroccan producer Vitanota takes his time on 'Babushka', locking acoustic percussion into a loose, unquantized organic house groove.
@telnhq.bsky.socialJason Dmore Cuts Away the Fluff on Rhythm-First Cut 'We Out Tonight'. New York songwriter Jason Dmore strings together blunt vocal loops and direct four-on-the-floor drums for late-night movement.
@telnhq.bsky.socialOno Kimono Builds Tape-Saturated Psychedelic Funk on 'Sexy Creep'. Las Vegas multi-instrumentalist Justin Roll lays down 122 BPM cassette funk shaped by a TASCAM Portastudio and an MXR talk box.
@telnhq.bsky.socialBOSSMVN Cuts Through Noise on Eight-Track DIY Debut 'Might Revisit Later'. Working out of Pakistan, BOSSMVN takes on every stage of production for an eight-track run of stripped-down hip hop.
@telnhq.bsky.socialDFA and Cirah Carve Out Deep Atmospheric Pressure on Debut Roller 'Heavy Mind'. Berlin duo DFA and Cirah lock into 166 BPM, matching Access Virus hardware grit with warm vocal layers and rolling breakbeats.
@telnhq.bsky.socialGhostGirl Takes Bedroom Recording Straight Into Heavy Alt-Rock On New EP 'Nocturnal'. Across five songs, London songwriter GhostGirl cuts straight to the point with thick riffs, alternative beats, and raw vocal takes.
@telnhq.bsky.socialNo Metaphors, No Alibis: Marc Silvey Cuts Straight to the Bone on '9:29 Goodbye'. Built alongside longtime friend Ben Folds, the Raleigh songwriter turns pure fury and historical weight into a heavy, guitar-driven confrontation.
@telnhq.bsky.socialBev drags 90s vocal grit onto late-night floor cut 'FLOATED (FEEL THE FEELIN)'. Rough sampler chops, thick sub pressure, and zero clean room gloss out of Las Vegas.
@telnhq.bsky.socialNALGO BAY crank the amps on sweat-soaked single 'Pleasure Zone'. Thick bass fuzz, rattled cymbals, and raw Yorkshire grit tracked at Catalyst Studios.
@telnhq.bsky.socialgon pulvo rips raw garage bounce on 'baby bumpin'. Tracker chops, handheld M8 crunch, and zero modern polish out of the US.
@telnhq.bsky.socialNo Permission Needed: Indian Independent Artist RISHU Takes the Mic on 'ICON'. Sharpened rap bars, hook-driven pop architecture, and zero interest in playing small define Rasveen Kaur's opening statement.
@telnhq.bsky.socialScenes of Berlin pack split-life exhaustion into 'Twin Passports'. Rough bedroom takes, airport cab fatigue, and blunt UK post-punk.
@telnhq.bsky.socialRaw Takes and Bare Wires: The Ultimate Genie Drops 'Summers Rain'. Tracked on a phone mic inside assisted living, Mason Bruce Pitsenbarger cuts straight through the noise with bare-knuckle honesty.
@telnhq.bsky.socialmidwest ten burns the past on kitchen-cut track 'little miss independent'. Cheap boxes, spilled drinks, and bitter 124 BPM floor sweat.
@telnhq.bsky.socialCOLB drags didgeridoo rattle into wet basement dub on 'From End To Beginning'. Murky tape repeats, low rumble, and damp forest grit out of Romania.