@weandthecolor.bsky.socialFelix Braden just dropped Corsario through his own foundry, Floodfonts, and it's the rare variable font that actually uses its optical size axis instead of burying it. weandthecolor.com/corsario-var...
#fonts #font #typeface #typefaces #typography #design #graphicdesign
@weandthecolor.bsky.socialLittle Vintage Shop by Nicky Laatz is a hand-drawn script font with genuine pen-on-paper texture, built for French flower shop branding, Parisian-style wedding invites, and cozy artisanal labels. weandthecolor.com/little-vinta...
@weandthecolor.bsky.socialNeurath X by René Bieder is an 18-weight expressive geometric type family that pushes reduction further than its Neurath sibling without losing clarity. weandthecolor.com/neurath-x-fo...
@weandthecolor.bsky.socialParts and Labor, a vintage-inspired layered font collection. weandthecolor.com/parts-labor-...
@weandthecolor.bsky.socialFabric Grotesk is Fontfabric's take on Swiss-modernist neo-grotesque design, built by Plamen Motev and team. weandthecolor.com/fabric-grote...
@weandthecolor.bsky.socialI tested Maltique, the extra-bold chunky retro sans font from Zarma Type. Sharp outer corners, melty soft inner curves, built for packaging, logos, and oversized headlines that refuse to blend in. weandthecolor.com/maltique-fon...
@fritzadalis.infosec.exchange.ap.brid.gy