La nourriture de l'ennemi / The ennemy's provender - 1926 #artbots #magritte

Les mémoires d'un saint / The memoirs of a saint - 1960 #artbots #magritte

Les premiers amours / First loves - 1961 #artbots #magritte

The birth of idol, 1926 #surrealism #magritte.

The birth of idol, 1926 #surrealism #magritte

Youth (1924) marks the close of Magritte’s Cubist phase. By then, he was also working for the Norine fashion house, whose co-owner, P.-G. Van Hecke, was an early champion of Surrealism. At 25, Magritte stood on the threshold of a new artistic identity. #artbots #magritte

Le seize septembre / The sixteenth of September - 1958 #artbots #magritte

Les misanthropes / The misanthropes - 1942 #artbots #magritte

Intermission, 1928 #surrealism #magritte.

L'utopie / Utopia - 1945 #artbots #magritte

Intermission, 1928 #surrealism #magritte

The Rape / Le viol - 1935 #artbots #magritte

L'île au trésor / Treasure island - 1942 #artbots #magritte

Georgette - 1935 #artbots #magritte

Les deux mystères - 1966 #artbots #magritte

In The Fair Captive (1931), Magritte merged the canvas with the landscape to show how an image simultaneously reveals and conceals. He would revisit this issue for over thirty years, each version refining the same paradox. #artbots #magritte

Publicity design for Norine: “sérénade” - 1925 #artbots #magritte

The fair captive / La belle captive - 1948 #artbots #magritte

L'amour fou / Mad love - 1937 #artbots #magritte

Le réveille-matin / The alarm clock - 1957 #artbots #magritte