#Critica Un poco más sobre 'Naza', la película que nos destrozó en el Festival de Venecia boxd.it/ggzbYD #Venezia83 #peliculas #cine

#Venezia83 Novena jornada ya. La lluvia hace acto de presencia y 'Naza' deja noqueado al festival de Venecia #peliculas #cine cronicaglobal.elespanol.com/creacion/202...

I have conflicting thoughts about Elizabeth Chai Vasarhelyi and Jimmy Chin’s EVEREST: THE OTHER SIDE!

I tried to sum it all up here 👇

#Venezia83 @loudandclearrvs.bsky.social

Matthew Joseph Jenner plays a trick on all of us in Mario Martone's SCHERZETTO, a quaint delight that balances different tones in a masterful and often quite surprising way #Venezia83 icsfilm.org/reviews/veni...

Marc van de Klashorst tries to removie some mold in Gábor Reisz's GROUND FLOOR, a sharply written satire and a clever metaphor for the current state of affairs in Reisz's native Hungary #Venezia83 buff.ly/MaIb4Jv

Our Nicholas Bell reviews Nicolas Pariser's 𝗨𝗡 𝗣𝗘𝗨 𝗔𝗩𝗔𝗡𝗧 𝗠𝗜𝗡𝗨𝗜𝗧 🇫🇷 “its blatant messaging is effective, even if Poupaud’s amiability makes him seem like a sacrificial lamb whose future seems both unclear and rather uninteresting.” @la_Biennale #Venezia83
https://www.ioncinema.com/?p=143262

www.labiennale.org/it/cinema/20... #venezia83 #veneziafilmfestival

Abby Laing refuses to solve the problem of masculine self-pity in Nicolas Pariser's UN PEU AVANT MINUIT, breath of fresh air in how it introduces questions of gender politics into the bourgeois romantic dramedy genre #Venezia83 icsfilm.org/festivals/ve...

The most damning document of Israel since October 7. A clear-headed act of moral bravely from Yuval Abraham and Rachel Szor. Daring, unvarnished, and ultimately enraging. The one film in #Venezia83 that left me shaken.

Full review soon.

#Naza

youtu.be/7-nTtmRbqDA?...

www.labiennale.org/it/cinema/20...
#venezia83 #Veneziafilmfestival

#NAZA #Film #Review – #Israeli intelligence officers cast chilling light on civilian deaths

#VeniceFilmFestival

Under the cover of night, anonymous personnel discuss AI, error rates and problematic intelligence units

#Documentary #Venezia83

www.theguardian.com/film/2026/se...

www.labiennale.org/it/cinema/20... #venezia83 #veneziafilmfestival

www.labiennale.org/it/cinema/20... #venezia83 #veneziafilfestival

In Dear Ajayi "Orimogunje captures the way that generating pain can be seen as a way to ameliorate your own suffering" www.eyeforfilm.co.uk/review/dear-... #Venezia83 #FilmSky🎬

Another #Venezia83 review.

"The anonymity protects them, but it also creates an unsettling moral question: when responsibility is distributed among so many people and so many procedures, who, exactly, is accountable?"
@martintsai.bsky.social reviews "NAZA" at #Venezia83. bit.ly/4gTJsWU

#filmsky

Marc van de Klashorst contemplates who lives and who dies in Yuval Abraham and Rachel Szor's NAZA, a cinematic document that lays bare the algorithm of a genocide and how reducing life to numbers on a screen leads to the banality of evil #Venezia83 buff.ly/s0kLafM