Day 7 of #NYFF64: Lee Chang-Dong's Possible Love goes deep and long in its portrait of two contemporary South Korean couples, one wealthy, the other pulverized by what people here like to call late capitalism and its cruel ramifications. Is their unlikely friendship going to end badly? Well, yeah. >

What makes Rose especially fascinating is how it turns the body itself into a political instrument against patriarchy and private property. It becomes a film about who gets freedom, who gets ownership and who gets to decide what another person is allowed to be. 3/3

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Shot in gorgeous black and white, the film strips the western down to land, labor, violence, survival and ownership. The imagery is stunning, but there’s also something cold and unforgiving about the world Rose is trying to survive in. 2/3

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Rose is a beautifully made, incredibly restrained western that proves how much can be said through silence, stillness and performance. Sandra Hüller is excellent, giving a performance built as much around physicality and expression as dialogue. 1/3

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"We need to be reminded that creativity is the gift of humanity. We need to use it to make the world better." 💜

Director David Greaves, producer Liani Greaves, and producer & editor Anne de Mare discuss ONCE UPON A TIME IN HARLEM at the #NYFF64 hometown premiere.

"It feels like the last sort of film you’d expect from Radu Jude, but one that unveils a glimpse into a well of untapped potential from an already captivating filmmaker."

Read Hayley's review of THE DIARY OF A CHAMBERMAID and watch it at the New York Film Festival! 🔥🤩

#NYFF #NYFF64

Misty Green’s story, for all her pride and complexity, amounts to little more than “women be trippin’ in Hollywood.” Read @justinofclark.bsky.social on Chris Rock's film. #NYFF64

View from my seat for my first movie of #NYFF64

"We need to be reminded that creativity is the gift of humanity. We need to use it to make the world better." 💜

Director David Greaves, producer Liani Greaves, and producer & editor Anne de Mare discuss ONCE UPON A TIME IN HARLEM at the #NYFF64 hometown premiere.

To start out day one at #NYFF64, I’m beginning with one of my most anticipated films of this year.

#AllOfASudden (Ryusuke Hamaguchi)

I’ve arrived at one of the best film festivals in the world. #NYFF64

The elemental bleakness of Hamaguchi Ryusuke’s Evil Does Not Exist shifts to a more cosmic benevolence in the moving ALL OF A SUDDEN. Read Keith Uhlich's #NYFF64 review. bit.ly/4AB2jiu

Paul Thomas Anderson’s latest film is here! ✨ To commemorate the world premiere of CAMERON WINTER AT CARNEGIE HALL at #NYFF64, we’re excited to unveil our exclusive “P-Tee-A” shirt with a photo by legendary photographer Godis taken at the NYFF35 premiere of BOOGIE NIGHTS in 1997.

FJORD: Cristian Mungiu’s legal drama gets lost in the gray area as its only interesting in the courtroom and avoids the deeper moral dilemmas it claims to analyze. Patient and precise yet ultimately hollow. Bald Sebastian Stan innocent. #NYFF64

My review: www.rendyreviews.com/movie-review...

Carlos Reygadas’s mesmerizing HEIL JUPITER! tosses viewers into a series of briny tempests without a life preserver. Read Keith Uhlich's #NYFF64 review. bit.ly/3TD5nKh

#NYFF64: 3) JOY OF JOYS // Directed by Jonathan Glazer

#NYFF64: 4) PAPER TIGER // Directed by James Gray

#NYFF64: 5) GODZILLA MINUS ZERO // Directed by Takashi Yamazaki

#NYFF64: 6) THE DEBUT // Directed by Jesse Eisenberg

"Abraham and Szor’s approach in NAZA is systematic and sobering" www.eyeforfilm.co.uk/review/naza-... #74SSIFF #TIFF #NYFF64

Pedro Pascal in a special #NYFF64 poster for Tony Gilroy's #Behemoth!

Somehow, at nearly 3 hours, it never feels long. It’s beautifully shot, amazingly edited, and constantly changing shape as it reveals another layer. A fascinating film about truth, performance, self deception, and the stories we tell ourselves just to keep going. 3/3

#Filmsky🎬 #Moviesky🎥 #NYFF64